RealClearBooks August 22, 2024 Archives

RealClearBooks AM Update

Post Malone Made Himself at Home in Country Music

Kelefa Sanneh New Yorker

Fifty Years of Paying Attention

Dan Kois Slate

A Fresh Look at Frida Kahlo

Luiza Franco Americas Quarterly

What I Learned From Francisco Lindor About Writing

Andrew Boryga Dwell

‘The Crow’ Endures as a Testament to Brandon Lee

Miles Surrey The Ringer

Guy Davenport—the Last High Modernist

David Schurman Wallace The Nation

We Are the Borg

Sam Kean The American Scholar

How A ‘Safe Drug’ Turned Deadly For Matthew Perry

Rob Long The Daily Beast

Jane Austen’s American Spirit

Michael Lucchese The Dispatch

Post Malone’s Country Album Has Too Much Baggage

Craig Jenkins Vulture

New York Publishing in the Late-Aughts

Aaron Lake Smith Empty Railroad Gulch

What Lasts and (Mostly) Doesn't Last

Lincoln Michel Counter Craft

Book Burners for Our Year Zero

Pedro Gonzalez Chronicles