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Monday, February 16

Set this view as default? Yes No
Set this view as default? Yes No

The Quad God’s Olympic Mortality

Ilia Malinin was supposed to leave everyone speechless at his first Olympics. Unfortunately, that’s exactly what he did.

“Crime 101” Is a Moody Exercise in Michael Mann Lite

The English director Bart Layton’s new film reveals a shaky grasp of L.A. but a pleasingly deep knowledge of noir.

Podcast: The Mandarins, Their Virtues and Vices by Eminent Americans
Available this week: "Writer's Diary" by Matthew Gasda
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Essential Reading

Americans of all backgrounds overwhelmingly support a core set of legal and constitutional obligations.
One of the greatest weeks of my life was the week David McCullough came to teach a one-credit course at Hillsdale College in 2006.

More From Real Clear

RealClearBooks Friday

Listening to Joe Rogan

How a gift for shooting the shit turned into an online empire—and a political force.

What’s a Big-Budget Filmmaker Without the Budget?

Gore Verbinski once helmed the most expensive movies ever made—now he’s eschewing the studio system altogether. Is this a viable path for blockbuster directors too weird for Hollywood?

The Quad God’s Olympic Mortality

Ilia Malinin was supposed to leave everyone speechless at his first Olympics. Unfortunately, that’s exactly what he did.

“Crime 101” Is a Moody Exercise in Michael Mann Lite

The English director Bart Layton’s new film reveals a shaky grasp of L.A. but a pleasingly deep knowledge of noir.

Essential Reading

Americans of all backgrounds overwhelmingly support a core set of legal and constitutional obligations.
One of the greatest weeks of my life was the week David McCullough came to teach a one-credit course at Hillsdale College in 2006.

More From Real Clear

RealClearBooks Friday

Listening to Joe Rogan

How a gift for shooting the shit turned into an online empire—and a political force.

What’s a Big-Budget Filmmaker Without the Budget?

Gore Verbinski once helmed the most expensive movies ever made—now he’s eschewing the studio system altogether. Is this a viable path for blockbuster directors too weird for Hollywood?

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