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Ilia Malinin was supposed to leave everyone speechless at his first Olympics. Unfortunately, that’s exactly what he did.
“Crime 101” Is a Moody Exercise in Michael Mann Lite
The English director Bart Layton’s new film reveals a shaky grasp of L.A. but a pleasingly deep knowledge of noir.
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Gore Verbinski once helmed the most expensive movies ever made—now he’s eschewing the studio system altogether. Is this a viable path for blockbuster directors too weird for Hollywood?


